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As she's gone from the Young Woman Who Could to the Woman Who Has, Ani DiFranco has explored more than her share of musical styles, all the while remaining true to her core. Even during her most extreme departures, you could hear the sound of the early albums coming through. On Little Plastic Castle, an album on which people are credited for adding pontifications, incantations, and an "evil machine" to songs, you could--for the first time--hear an almost completely new artist.
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