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The title tune that kicks off Chely Wright's fourth album is a typically overwrought country-pop love pledge, but on other tunes Wright cuts masterfully to love's twisted chase with anguished musical vignettes of romantic ambiguity. Women who aren't loved enough ("Jezebel," "Deep Down Low"), women who are loved too much ("Not As in Love"), women who've lost their men ("Her"), and women who want their men to get lost ("While I Was Waiting") are all topics of the day.
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