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Dar Williams's End of the Summer finds her following in the techno-folkie footsteps of Suzanne Vega and Rickie Lee Jones. Most of the tracks feature muscular rhythms provided by Sammy Merendino's programmed drum loops, and thickened textures provided by layers of electric and acoustic guitars. This new approach pays dividends for a singer/songwriter whose thin soprano and coffeehouse lyrics have often proven underwhelming in the past.
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