For the multinomenclatured John(ny) (Cougar) Mellencamp, falling into loping historical pace as the "poor man's Springsteen" has been a blessing in disguise. If you're perpetually second best, to whose expectations do you ultimately answer? Certainly not your audience's--they're prepared for so-so songwriting. It's a win-win situation in which even your most lackluster material appears "Thunder Road" brilliant. Follow this train of thinking and you might hear Mellencamp's eponymous album (and first for Columbia) as something of a minor masterpiece.
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